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Article list

17.12.2022.

Stardust Soundtracks: Bowie, Britain and the Seventies

David Bowie's performance of Starman on BBC's Top of the Pops in July 1972 is one of the most mythologized four minutes in the history of British television.

10.07.2022.

Vinyl Idols

Released forty years ago, Odbrana i poslednji dani by Belgrade band Idoli has long been touted as the best Yugoslav album of all time.

10.07.2022.

Three Kings

The strange, subversive tale of the Vilnius Jazz Trio

17.12.2020.

Jazz Messenger

Komeda: A Private Life in Jazz by Magdalena Grzebałkowska tells the story of Poland’s most talented musician of the jazz generation, and reveals what exactly jazz meant to a Polish society in the throes of rapid change.

16.06.2019.

Robert Smith Rewound

In May 1996 I had the good fortune to interview Cure frontman Robert Smith. And then, with the interview still untranscribed, I lost the tape. It took me 23 years to find out what on earth I had done with it.

06.06.2017.

What is a song without a sleeve? Jugoton’s place in art and pop

Zagreb record label Jugoton didn’t just nurture a unique music scene. It also set new standards in Croatian design

25.11.2016.

Hoochie Coochie Hoću Kući

Is Milan Manojlović Mance’s Man from Katanga the greatest Croatian album ever made?

22.9.2016.

Subversive Soundtracks

Forty years ago members of Czech rock band Plastic People of the Universe were put on trial for playing music that the country’s communist rulers didn’t like the sound of.

22.9.2016.

(Come on Baby) Light my Choir

Traditional choral festivals provided a natural focus for the so-called Singing Revolution, which swept across the Baltic States in 1987-1990.

09.5.2016.

Rijeka Rock City

It was the port city of Rijeka that led the way when it came to Croatia’s relationship with the electric guitar, and it is Rijeka that preserves most in terms of rock and roll heritage today.

15.3.2016.

Power Ballads: Marta Kubišová and the Velvet Revolution

The story of Marta Kubišová’s song A Prayer for Marta reveals much about the power of popular culture - and the desire of those in government to place it under control.

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